Andrew Schulz Live
About The Show
We unfortunately must announce that the Andrew Schulz show to be held on April 26, 2020, at The Tobin Center has been postponed. We are attempting to reschedule this event for another date in the future. As soon as we have more information on that date we will communicate with you directly. If at that time, you are unable to make the new rescheduled date, we will offer a full refund.
We apologize for any inconvenience. Should you have further questions please contact the box office at [email protected]
A native New Yorker and internationally touring stand-up comedian, Andrew Schulz is known for his hilarious and unapologetic viewpoints. Schulz challenges conventional wisdom with a NYC tone that is often idiotic, at times brilliant, and always hysterical. He was 2018’s and is currently 2019’s most viewed stand-up comedian on YouTube, reaching over 4 million views per week. His latest comedy special VIEWS FROM THE CIS has been viewed over 5.1 million times. Schulz’s debut comedy album 551 was #1 on Billboard, Apple Music, Spotify, iTunes, Google Play, and Amazon Music. Andrew has been a guest on THE JOE ROGAN EXPERIENCE twice this year, both times with episodes lasting over three hours.
His two podcasts – THE BRILLIANT IDIOTS and FLAGRANT 2 – receive over 400K listens per episode. You can see Schulz in BENDERS on Netflix and THERE’S…JOHNNY! on Hulu. His experience on the big screen includes Whitney Cummings’ film THE FEMALE BRAIN, as well as WRITE WHEN YOU GET WORK and 7 FISHES & CHRISTMAS ‘83. While at MTV, Schulz starred in numerous shows for the network, including GUY CODE, GIRL CODE, JOBS THAT DON’T SUCK, and UNCOMMON SENSE.
Andrew Schulz has three weekly shows on his YouTube channel centered on stand-up. On UNSAFE SETS, Andrew drops a new joke every week from his Matador Tour, and you can follow the tour selling out nationwide on DROPPING IN, where he explores cities during the day and turn his experiences into jokes on stage that night. On INSIDE JOKES, comics bring their most divisive material, find the funny, and see if they work in front of audiences.
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