Christine Lamprea, a Youth Orchestras of San Antonio (YOSA) alum and former student of San Antonio Symphony principal cellist Ken Freudigman, returns to San Antonio this week with a world premiere tucked into her cello case. She’ll be performing composer Jeffrey Mumford’s concerto titled of fields unfolding...echoing depths of resonant light. Lamprea says she hopes that San Antonio’s familiarity and trust with her will help them listen to the new music with open ears. The concert takes place on January 22 and 23 at 8 p.m. at the Tobin Center for the Performing Arts.
The legendary Led Zeppelin frontman brings his bluesy, brooding bacchanal to San Antonio on Thursday, March 17. From fronting one of the most stoned-on-sex, high-on-lust rock 'n' roll bands of all time, to continuously broadening and exhibiting his knowledge and love of the roots music canon, Plant has proved to be more than a one-trick pony.
Writer and humorist Will Rogers once proclaimed that San Antonio was “one of the three unique cities of America,” and now, some 90 years later, a national publication launched by media icon Arianna Huffington has given the Alamo City more contemporary praise. The Huffington Post has identified San Antonio as one of America’s five “Secretly Cool Cities.” San Antonio ranks No. 3 on the cool cities list.
The San Antonio Symphony on Friday night continued its tradition of bringing the world’s best talents to the city’s stages by presenting cellist Yo-Yo Ma for a sumptuous, emotionally moving account of Antonín Dvorák’s Cello Concerto. Yo-Yo Ma joins the list of recent appearances here, which includes performances by soprano Renée Fleming, pianist Lang Lang and violinists Joshua Bell and Itzhak Perlman for concerts with the orchestra and recitals.
Starting his sixth season as San Antonio Symphony music director, Sebastian Lang-Lessing clearly has made the orchestra his creation more than ever. This was abundantly clear throughout Friday night's classical series opener featuring Ludwig van Beethoven's mighty Ninth Symphony. The orchestral colors, the balances between the instrument sections, the shaping of the melodic arches, the driven pacings and the soft-to-loud dynamics were fabulous.